South African Film

这位质疑“重生”有效性的犹太电影制作人开始探寻与耶稣的关系。

Armenian guerrilla troops fight against the Turkish forces on the mountain of Musa Dagh.

A look back at 40 years of Seasame Street.

Primetime special to celebrate 40 years of CANAL+.

Post-apocalyptic drama. Seven strangers appear to be the only survivors of a mysterious, calamitous event: Los Angeles is empty, devoid of people. No sign remains of family, neighbors or coworkers. No spaceship hovers over the city, there are no zombies or flesh-eating viruses. Just seven strangers, who share the same iridescent blue mark on the shoulder, a tiny, precise square of color that wasn't there yesterday. Were they chosen? Or have they been culled? By whom? For what purpose? Their search for answers leads the seven to an even greater mystery. Why do they suddenly feel compelled to leave the safety of the city for an unknown destination? And why does the number 40 exert such power over them? Why are they being drawn towards whatever 40 represents with such compulsion, such longing? 40 is also a Lenten allegory. 40 can stand on its own as a rewarding viewing experience.

A bag full of money lands in front of you. Is it luck? The answer to your prayers? Part of a predetermined plan? Or all of the above? Set in the chaotic streets of Istanbul, 40 is a story of three strangers making their way in a city of 12 million, all searching...for one bag. Shot entirely on location, '40' combines intense story telling with documentary style cinematography embarking on a synchronistic journey dealing with faith, love, luck, destiny, human trafficking...and a bag of cash that falls from the sky.

电视动画《DAYS》改编自日本漫画家安田刚士原作的同名漫画。在《周刊少年Magazine》（讲谈社）2016年7号上，发表了TV动画化的决定

Days is a non-narrative cinematography exercise presented through a fly-on-the-wall lens, observing a young girl over the course of a day at the beach.

'When I was your age I wanted to go to Italy more than anything in the world ... old buildings .. , sunlight. Blue skies ... the air full of the sound of bells in the morning and at dusk.' A mother, waiting for a visit through a hospital day, looks back on her life. Dreams haunt her, fantasies seduce her, memories crowd in on her, distorting the drab reality of her day to day existence. Must her daughter follow in her footsteps? How can she find a way to guide her towards a brighter future?